Music, Reviews

This Afternoon – If We Gave Up Now

Hidden in some corner of NY these past few years, This Afternoon have served notice in their local scene as being more than just promising artists. With two previous releases under their belt, Emplane have released their third, a follow up to their locally acclaimed four song EP. If We Gave Up Now is a 10 song outing featuring mid to late 90’s almost Midwestern indie rock influenced punk. There are catchy hooks, heartfelt vocalizations with a distinct mid tempo rock feel. You can compare them to the likes of Texas is the Reason, the Enkindels and maybe some early Elliot.

Derivative of said bands, the appealing factor of this record is its grounded feel – combining the elements of indie rock with up to date emo punk melodies. Exemplified in what is perhaps the most enjoyable track on the record, “Made By Make Believe” is a mixture of heartfelt honesty, melody and a sincerity to combine rock with indie/punk qualities.

The downside is that maybe the songs are just a little too long in length without really going anywhere distinct or epic. Four hours of driving through Kansas is what it is, four hours of driving through Kansas and a six minute song where nothing spectacular happens feels like four hours. In effect, you can best describe their sound as similar to Texas is the Reason, but it just lacks some extra punch that makes long trips enjoyable. This record is still an earnest effort and most fans of the recent wave of emo and TITR holdovers will enjoy it.

(Emplane Music)

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Music, Reviews

Sum 41 – Does This Look Infected?

You really can’t blame someone for exposing their true selves once their façade has grabbed your attention. It is however, difficult to distinguish which face is a fabricated front and which is genuine. We’ll inspect the work of Sum 41 as an example of this diatribe. Somewhat slipping into the mainstream backdoor with their Half Hour of Power (which this reviewer picked up for a mere $5 at a show they weren’t even billed on), they showcased their love for heavy metal riffs, pop punk melody and snotty attitude but garnered little attention even though the label they were ‘on’ (Bosstones’ front man Dicky Barrett’s label Big Rig), was backed by commercial giants Island. Perhaps, they were merely testing the waters – just to see whether or not they would sink or swim.

Apparently completing the standardized major label sink/swim test, Island gave them the green light and with the heavy push of their sophomore release All Killer, No Filler, Sum 41 exploded onto the mainstream with enough gusto to make the likes of Green Day and the Offspring blush. They’ve now moved on to the next record on their contract, the “darker, heavier, return to roots” record that most bands feel is a necessary stop in a commercially successful career.

Well kick this reviewer in the pants and call him Sally. Upon further inspection, the slightly heavier, louder rock/punk sounding Does This Look Infected? isn’t bad at all. The first single, “Still Waiting”, while the most enjoyable track, is what this album’s flavor resembles the most. Perhaps the Misfits-like cover is a signal to those currently listening that Sum 41’s previous pop filled, ultra catchy effort was merely done to catch your attention. There are still melodies and harmonies here, notably in the opening track “Hell Song” and “My Direction” and thankfully they manage to keep their awful rapping to a minimum. Their more radio friendly tunes sound slightly harder, the metal is still present and the album as a whole comes off more passable than annoying. This reviewer will compare this to Green Day’s transition from Dookie to Insomniac. In fact, this reviewer feels that Island called up Reprise and asked, “Hey, we need that ‘Dookie to Insomniac’ formula you’ve got”.

(Island Records)

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Music, Reviews

Matt Skiba & Kevin Seconds – Split

Matt Skiba (of Alkaline Trio) and Kevin Seconds (of 7 Seconds) team up to release 10 songs of acoustic driven rock akin to the sounds of their regular acts. This is mostly a great CD that can be broken down into the respective artists.

Matt Skiba:
With his writing ability entrenched in heartfelt melodies and sweet sounds – his 5 songs are well written numbers and sound like Alkaline Trio unplugged (oh wait, it is). The first track “Good Fucking Bye” is a great tune accompanied by keen drum work and is one of the faster tracks of his outing. Taking cue, the second track (“The City that Day”) is another fast paced, honest tune, which is followed by the slowed down, more solemn track “Next to You.” Skiba manages to take the sincere sound of Alkaline Trio and convert them into just as prevailing acoustic numbers.

Kevin Seconds:
Instead of pushing melodies and “that new sound”, Kevin Seconds takes the sound of punk rock and a little bluegrass/folk rock to his 5 tracks. They’re more rock oriented, more traditional sounding than Skiba’s half and while they seem to be more rooted, tend to be less enjoyable compared to the first five tracks. He’s got a great camp fire sing a long in ‘Yesteryear’ and well a written pop induced, infectious outing in “Motherfuckers.”

This is a great split – bringing together two well experienced artists from slightly different backgrounds. There is a mesh of personalities and complimenting sounds that make this a two pronged, double team, acoustic, rock’em sock’em tandem.

(Asian Man Records)

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Travel

The Ballad of Racer Ten

Like jotting words and phrases down on some diner napkin we hope to turn into some lyrical opus; some things just take a little time. It often isn’t clear until we step back and try to see the complete picture. We can be left with an image of the entire puzzle but lack the pieces, while other times we’re left with a lot of pieces that just don’t fit. I’m a big purveyor of this sort of ideology; that sometimes life can take a little time to work itself out. The issue of “fate” is a dicey topic – some believe that we follow a predetermined course in which you merely ‘go through the motions’, while others feel that if fate truly exists, all we have to do is lie in bed and wait for life to come to us.

I’m not talking about the big picture at the moment; I’m not looking at the complete puzzle. I’m merely taking a peak into one of the many pieces that make that picture, a small fragment of an existence that is far from complete. While some say that nostalgia is overrated, I tend to savor those moments – the “melodies and memories”.

1997, Hong Kong
Hong Kong isn’t a bad place at all. Like Singapore, it is predominantly a consumer driven economy – if you’ve got the money to spend, they’ll have things you’ll want to buy. My budget was extremely limited, leaving me with the choice of nice warm meals or as many CDs I could possibly procure in one overseas trip. Needless to say, I wound up with a personal record of 25 CDs in about a week worth of trips to Tower and HMV. Hong Kong isn’t exactly a Mecca for independent music so I couldn’t get punk rock records from mom and pop stores. Unless I wanted the latest Canto-pop single, I’d have to pay the ridiculous prices that such worldwide chains charge – besides, I was getting used to all those cold chicken dumplings anyway.

Amidst all the foolish, reflex purchases (anyone want a copy of Home Grown’s Act Your Age?), I found a real gem. I’m not a big fan of compilations but the one compilation that remains a favorite of mine is One Foot Records’ Check This Out! Vol. 1. Among the raw punk, rock goodness (great bands like Pep Rally, Funbox, Lick 57’s, and The Tie That Binds) was an exceptional track titled “Breathe”. Like the first time you see your favorite artist take the stage, the feeling and excitement was unparalleled. At the time, it was unexplainable, I did not know why the song was so great or why Racer Ten had quickly become an artist I was dying to find out more about. So like any eager beaver I set out and went through every available resource (in Asia) I could go through to find their debut full length. And like most previous ventures in the Asian continent, my quest was most humbly brought to an end without satisfactory results.

Listen to: Racer Ten – “Breathe”

[aesop_audio src=”http://www.threezeroonethree.com/sound/racerten-breathe.mp3″ loop=”off” viewstart=”off” viewend=”on” hidden=”off”]

In effect, they wrote all the songs I wanted to write.

They provided some meaning, some understanding to why some things were the way they were. Why maybe all I really need to do in life is put my best foot forward and that it isn’t always about being first in line (and why a certain Lori G. would rather date some chunky, overweight kid than me).

Strangely enough, a few weeks after I found the CD at a record store I received an intriguing package in the mail. It was in fact, the same Racer Ten CD. How about that? I just remembered that awhile back I had slipped money into an envelope and sent it off to Alberta, Canada. Due to my lack of patience and confidence in the postal system, I didn’t think twice about picking up a copy in a record store knowing one was on the way already. (Current copy count: 2)

At the time it was honestly quite strange – a life I had only seen behind television screens became a reality for me. American high school was in fact, what is seen on TV shows and teen movies. There were bullies, cliques, extremely good looking girls, lazy students, pep rallies, awful football teams and Friday night parties with no alcohol. And that last one really bothered me, the transition from living in a country where there is (in reality) no real enforced drinking age to one where you can buy a gun and drive a car before getting drunk was something new. I was an impressionable, naïve, open eyed, optimistic teen who endured the days and wrote them down at night.

Summer 1999, Jakarta
The summer before college, a time for reflection, a time where young men prep themselves for the most important educational phase of their lives … yeah, right. The only thing on the mind of a heterosexual, semi educationally inclined B+ student going to college is girls, girls and whatever girls are left. Buoyed by lascivious tales and Penthouse forums, plans for an all out assault on hapless freshmen girls were in the works. A buddy of mine had the inside scoop; his older brother had been entrenched in the front lines for several years now and shared with us intelligence and info on the enemy. We were set; he was going to take his chances out East in Rochester while I decided to try my hand in California.

Somewhere in between discussing college girl etiquette and realizing that my buddy already had a girlfriend, I saw that I had two copies of Racer Ten’s Melodies and Memories. Like a Good Samaritan, I felt like sharing this treasure and decided to pass along a copy to my Rochester bound friend. A move I would live to regret?

[aesop_image img=”https://soundthesirens.wordpress.com/wp-content/uploads/2002/11/rtmm.jpg” align=”left” lightbox=”off” caption=”Racer Ten’s ‘Melodies & Memories’. Released in 1996 on OneFoot Records.” captionposition=”left”]

Fall 1999, Stockton, CA
Ah … college. The time and place where throngs of young adults engorge in a weekly diet of beer and pizza, late night partying and occasional book browsing. Somehow, my roommate ended up being a Norwegian guy, a cool fellow, 6’7 volleyball player who on most occasions went to class everyday forgetting his books. Aside from discovering that 95% of what my buddy’s brother taught us didn’t work, the first year really bent preconceptions and preconceived notions about institutional education. For me, it really was about learning that life does not come to you; in fact, it almost tries to pass you by. You really, really have to go for it.

Unfortunately for my Racer Ten CD, my roommate could no longer tolerate the all night partying and general loudness our hallway was known for. Understandable considering that he had to get up at the crack of dawn for volleyball practice. So with him moving out, I had a lot more space to myself (the room was much, much cleaner too). The day he moved out I spent most of it in class and when I returned, I noticed that there was a gathering of dust in the shape of the stereo where it once stood. I didn’t think it would be a problem, I’d just have to buy a new stereo – until I saw the jewel case to Melodies and Memories lying on the table, open and empty.

I wasn’t in high school anymore; I had grown up a little and moved on. And for some strange, inexplicable reason I said to myself, “It must be in the stereo he took, I’ll get it later”.

That moment ranked up there with other notable terrible ideas like New Kids on the Block releasing a gangsta rap/hip hop album and Glitter. Nevertheless, later become months and when I went over to his apartment to finally retrieve it, he had no idea he had it and no idea where it went. As I staggered through his pile of ear piercing, head ache inducing Euro-pop CDs, I slowly came to the depressing notion that it was lost forever.

Spring 2001, Stockton, CA
You learn a few important lessons when you join a fraternity. Among the things you learn are that alcohol is not always your friend and in the case of you waking up next to someone, well, undesirable, the best course of action is to run. In all seriousness, when you go to a relatively small college your fraternity house becomes a focal point of social events. People are always around and there is either someone acting like a dumbass or someone who is about to. Privacy and serenity becomes a priceless commodity and it is not out of the ordinary to see people up and leave just to get away for awhile. While some were able to go home for the weekend, escape to their significant other’s abode or just disappear into the countryside, I was several oceans away from home.

I sought refuge in music. In the music I went to see, the music I bought to hear and the music I inspired to write. While I came across a host of new musical inspiration from an expanding genre interest, there was still one sentimental longing to find that one release, that one soundtrack of days gone by. By then, Racer Ten had called it quits and gone their separate ways. They released another, almost as formidable full length titled The World of Tomorrow and left an indelible mark on a certain, one time naïve, open eyed kid. To my surprise, their website was still online – replete with merchandise and purchasing info. A few weeks before my return home, I slipped a nice bill into an express package to Canada. I hoped that it would reach me before I left but like Corey Haim’s Dad professing his son was Oscar worthy – it just wasn’t going to happen.

So as I jetted across the globe towards third world destitution, my prized Racer Ten package was taking its leisurely trek to Northern California. To make matters worst, the person who sent the package decided that since I sent him , he’d give me two copies of each release. (Current copy count: Melodies and Memories – 4, The World of Tomorrow – 2) You reach a certain breaking point after this much disappointment.

2002, Jakarta
In retrospect, two years has made a significant difference in my life. I still think that I’m optimistic and open eyed, but I don’t think I’m as naïve as I used to be; but I’m not the only who’s changed. The world in its entirety has and personally, if I were put back into that very first class during senior year in high school with what I know now – I’d have done everything differently.

“I do not regret the things I have done, but those I did not do.” – Empire Records

Looking back there are many instances at which I wish I had done something else. So in reality, that quote is right – I did do something, so I don’t regret not doing anything, it’s just in some cases I did the wrong thing.

The thing is, I did get myself another copy of Racer Ten’s Melodies and Memories – I actually got in touch with Sean of Racer Ten fame and through his kindness, he sent me a copy of each. Funny how these things work out – who knows, maybe I’ll get all the pieces I need to finish this puzzle someday and things just might work out in the end.

Final copy count: Melodies and Memories – 5, The World of Tomorrow – 3.

Listen to: Racer Ten – “Blisters”

[aesop_audio src=”http://www.threezeroonethree.com/sound/racerten-blisters.mp3″ loop=”off” viewstart=”off” viewend=”off” hidden=”off”]

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Columns, Music

The Ballad of Racer Ten

Like jotting words and phrases down on some diner napkin we hope to turn into some lyrical opus; some things just take a little time. It often isn’t clear until we step back and try to see the complete picture. We can be left with an image of the entire puzzle but lack the pieces, while other times we’re left with a lot of pieces that just don’t fit. I’m a big purveyor of this sort of ideology; that sometimes life can take a little time to work itself out. The issue of “fate” is a dicey topic – some believe that we follow a predetermined course in which you merely ‘go through the motions’, while others feel that if fate truly exists, all we have to do is lie in bed and wait for life to come to us.

I’m not talking about the big picture at the moment; I’m not looking at the complete puzzle. I’m merely taking a peak into one of the many pieces that make that picture, a small fragment of an existence that is far from complete. While some say that nostalgia is overrated, I tend to savor those moments – the “melodies and memories”.

1997
Hong Kong isn’t a bad place at all. Like Singapore, it is predominantly a consumer driven economy – if you’ve got the money to spend, they’ll have things you’ll want to buy. My budget was extremely limited, leaving me with the choice of nice warm meals or as many CDs I could possibly procure in one overseas trip. Needless to say, I wound up with a personal record of 25 CDs in about a week worth of trips to Tower and HMV. Hong Kong isn’t exactly a Mecca for independent music so I couldn’t get punk rock records from mom and pop stores. Unless I wanted the latest Canto-pop single, I’d have to pay the ridiculous prices that such worldwide chains charge – besides, I was getting used to all those cold chicken dumplings anyway.

Amidst all the foolish, reflex purchases (anyone want a copy of Home Grown’s Act Your Age?), I found a real gem. I’m not a big fan of compilations but the one compilation that remains a favorite of mine is One Foot Records’ Check This Out! Vol. 1. Among the raw punk, rock goodness (great bands like Pep Rally, Funbox, Lick 57’s, and The Tie That Binds) was an exceptional track titled “Breathe”. Like the first time you see your favorite artist take the stage, the feeling and excitement was unparalleled. At the time, it was unexplainable, I did not know why the song was so great or why Racer Ten had quickly become an artist I was dying to find out more about. So like any eager beaver I set out and went through every available resource (in Asia) I could go through to find their debut full length. And like most previous ventures in the Asian continent, my quest was most humbly brought to an end without satisfactory results.

Early 1999
We knew it wasn’t a good idea, but I guess when you’re “ooh”-ing and “aah”-ing every Bubba Ray Dudley chair shot, laughing at the guy who got hit in the head by the flying can of coke and yelling profanities at the idiot who was dumb enough to wear a New York Jets jersey to a rowdy bingo hall in some run down part of Philadelphia, you forget the little things. So there we were; Andreas (the Norwegian kid who disappeared after graduation), Dave and I, standing at a bus stop at 2am in the morning hoping that the bus we see across the street is the final bus out of the city. There are very few things more frightening to a couple of suburban kids than the thought of being stranded in the “bad part of town” at ungodly hours.

A few thoughts ran through my mind:
1 – Why didn’t we plan a ride home from the ECW Arena?
2 – Do they run flattering photographs of you on the side of milk cartons?
3 – Thank God I found a copy of Racer Ten’s Melodies and Memories. (Current copy count: 1)

So at least if by some unfortunate cosmic reason the bus across the street was not the right bus, I’d had the chance to fully listen to that Racer Ten CD. I’d be able to remember how when stumbling across the large amount of CDs on display at some record store in South Street, my eyes came across the CD I had been longing to own. A joyous occasion, marked by Andreas giving me that “I don’t care, I own a Turbonegro release AND I’m on the soccer team” look after I showed him what I had found. Still, even if my occasion was as insignificant to him as another girl getting all giddy around him, it was a big deal to me.

Senior year of high school can be a lot to take for some people. The pressures of graduating, scoring on prom night and the ill effects of ‘senioritis’ can be tough on someone who is at the point where you replace ‘high school’ in all your sentences with ‘college’. Like most people I know, a certain album, song or artist will act as their soundtrack to life during a certain period. Testing times call for particular songs to help one through with clearer heads. Sometimes all the things we want to say or feel are exemplified to perfection in a song or record. For me, that record was Racer Ten’s first LP.

In effect, they wrote all the songs I wanted to write.

They provided some meaning, some understanding to why some things were the way they were. Why maybe all I really need to do in life is put my best foot forward and that it isn’t always about being first in line (and why a certain Lori G. would rather date some chunky, overweight kid than me).

Strangely enough, a few weeks after I found the CD at a record store I received an intriguing package in the mail. It was in fact, the same Racer Ten CD. How about that? I just remembered that awhile back I had slipped money into an envelope and sent it off to Alberta, Canada. Due to my lack of patience and confidence in the postal system, I didn’t think twice about picking up a copy in a record store knowing one was on the way already. (Current copy count: 2)

At the time it was honestly quite strange – a life I had only seen behind television screens became a reality for me. American high school was in fact, what is seen on TV shows and teen movies. There were bullies, cliques, extremely good looking girls, lazy students, pep rallies, awful football teams and Friday night parties with no alcohol. And that last one really bothered me, the transition from living in a country where there is (in reality) no real enforced drinking age to one where you can buy a gun and drive a car before getting drunk was something new. I was an impressionable, naïve, open eyed, optimistic teen who endured the days and wrote them down at night.

Summer 1999
The summer before college, a time for reflection, a time where young men prep themselves for the most important educational phase of their lives … yeah, right. The only thing on the mind of a heterosexual, semi educationally inclined B+ student going to college is girls, girls and whatever girls are left. Buoyed by lascivious tales and Penthouse forums, plans for an all out assault on hapless freshmen girls were in the works. A buddy of mine had the inside scoop; his older brother had been entrenched in the front lines for several years now and shared with us intelligence and info on the enemy. We were set; he was going to take his chances out East in Rochester while I decided to try my hand in California.

Somewhere in between discussing college girl etiquette and realizing that my buddy already had a girlfriend, I saw that I had two copies of Racer Ten’s Melodies and Memories. Like a Good Samaritan, I felt like sharing this treasure and decided to pass along a copy to my Rochester bound friend. A move I would live to regret?

Fall 1999
Ah … college. The time and place where throngs of young adults engorge in a weekly diet of beer and pizza, late night partying and occasional book browsing. Somehow, my roommate ended up being a Norwegian guy, a cool fellow, 6’7 volleyball player who on most occasions went to class everyday forgetting his books. Aside from discovering that 95% of what my buddy’s brother taught us didn’t work, the first year really bent preconceptions and preconceived notions about institutional education. For me, it really was about learning that life does not come to you; in fact, it almost tries to pass you by. You really, really have to go for it.

Unfortunately for my Racer Ten CD, my roommate could no longer tolerate the all night partying and general loudness our hallway was known for. Understandable considering that he had to get up at the crack of dawn for volleyball practice. So with him moving out, I had a lot more space to myself (the room was much, much cleaner too). The day he moved out I spent most of it in class and when I returned, I noticed that there was a gathering of dust in the shape of the stereo where it once stood. I didn’t think it would be a problem, I’d just have to buy a new stereo – until I saw the jewel case to Melodies and Memories lying on the table, open and empty.

I wasn’t in high school anymore; I had grown up a little and moved on. And for some strange, inexplicable reason I said to myself, “It must be in the stereo he took, I’ll get it later”.

That moment ranked up there with other notable terrible ideas like New Kids on the Block releasing a gangsta rap/hip hop album and Glitter. Nevertheless, later become months and when I went over to his apartment to finally retrieve it, he had no idea he had it and no idea where it went. As I staggered through his pile of ear piercing, head ache inducing Euro-pop CDs, I slowly came to the depressing notion that it was lost forever.

Spring 2001
You learn a few important lessons when you join a fraternity. Among the things you learn are that alcohol is not always your friend and in the case of you waking up next to someone, well, undesirable, the best course of action is to run. In all seriousness, when you go to a relatively small college your fraternity house becomes a focal point of social events. People are always around and there is either someone acting like a dumbass or someone who is about to. Privacy and serenity becomes a priceless commodity and it is not out of the ordinary to see people up and leave just to get away for awhile. While some were able to go home for the weekend, escape to their significant other’s abode or just disappear into the countryside, I was several oceans away from home.

I sought refuge in music. In the music I went to see, the music I bought to hear and the music I inspired to write. While I came across a host of new musical inspiration from an expanding genre interest, there was still one sentimental longing to find that one release, that one soundtrack of days gone by. By then, Racer Ten had called it quits and gone their separate ways. They released another, almost as formidable full length titled The World of Tomorrow and left an indelible mark on a certain, one time naïve, open eyed kid. To my surprise, their website was still online – replete with merchandise and purchasing info. A few weeks before my return home, I slipped a nice bill into an express package to Canada. I hoped that it would reach me before I left but like Corey Haim’s Dad professing his son was Oscar worthy – it just wasn’t going to happen.

So as I jetted across the globe towards third world destitution, my prized Racer Ten package was taking its leisurely trek to Northern California. To make matters worst, the person who sent the package decided that since I sent him , he’d give me two copies of each release. (Current copy count: Melodies and Memories – 4, The World of Tomorrow – 2) You reach a certain breaking point after this much disappointment.

2002
In retrospect, two years has made a significant difference in my life. I still think that I’m optimistic and open eyed, but I don’t think I’m as naïve as I used to be; but I’m not the only who’s changed. The world in its entirety has and personally, if I were put back into that very first class during senior year in high school with what I know now – I’d have done everything differently.

Lucas once said, “I do not regret the things I have done, but those I did not do.”

Looking back there are many instances at which I wish I had done something else. So in reality, that quote is right – I did do something, so I don’t regret not doing anything, it’s just in some cases I did the wrong thing.

The thing is, I did get myself another copy of Racer Ten’s Melodies and Memories – I actually got in touch with Sean of Racer Ten fame and through his kindness, he sent me a copy of each. Funny how these things work out – who knows, maybe I’ll get all the pieces I need to finish this puzzle someday and things just might work out in the end.

Final copy count: Melodies and Memories – 5, The World of Tomorrow – 3.

AUDIO STREAM:
Racer Ten – Breathe (from the album Melodies and Memories)
http://mediaplayer.yahoo.com/js

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Interviews

Something Corporate: …making things happen (and the postcards home)

Something Corporate: William Tell, Andrew McMahon
Sound the Sirens Magazine: Kamtin Mohager

Kamtin: Aloha guys? Can you tell us your names and what you do in the band?

William: I’m William and I play guitar

Andrew: I’m Andrew. I play piano and sing.

Kamtin: So, how has the tour with New Found Glory been?

William: It’s been awesome. We’re really great friends with them and we’ve become really good friends with Further Seems Forever. Those guys are great. And obviously we have been friends with Finch for a while because we started on Drive-Thru at the same time. It really is a lot of fun. It’s pretty much an extension of the good times we had on the Warped Tour. It’s been a blast. It’s really cool to come out and play cities like Denver for instance where we’ve only been once or twice before. It’s cool to spend more time here to get to know the kids and the bands that are around here. Hopefully build more.

Andrew: Yeah, I totally agree. It’s been more than we ever hoped it would be which is great. We’re only a couple weeks through, but so far all the shows have been unbelievable.

Kamtin: How great was the Warped Tour?

Andrew: I think for us it was, well, before going out there was one of the most nerve wrecking things and I really never got over the nerves of it to be honest. Like, everyday was like the new “Oh jeez, I got to do this again”, not saying about performing, but just going out and there and seeing what the kids will think about us because we’re not really a punk band. And we definitely have that element of us that doesn’t belong on the Warped Tour which is almost why they thought we belonged on the Warped Tour. But what ended up coming from it I think was a big help. We pretty much released our record on the Warped Tour and it sold so many more copies with the result of us going out and seeing all those people and getting the chance to sit in the merch booth all day and hang out with kids and talk to people that were seeing the band for the first time. I think the benefits of doing it were so amazing. It ended up being a great thing.

Kamtin: Oh yeah, for sure. Because at school I wore my Something Corporate shirt before a lot of kids knew who you guys were. And teachers come to me thinking it was some joke shirt thinking me mocking the corporate scene and now I think about a month ago, you guys were featured in our school newspaper. There was a huge article of you guys. So, it obviously has helped.

Kamtin: Well, I call them slippers, but why do you always wear flip-flops. I know they are so comfortable. I would be wearing them now but I will be in the mosh pit in about 2 hours and that would be hell on my feet. But, I have never seen you in shoes. What’s up with that?

William: All our friends back home in California, we all wear them. It’s so much easier and much more relaxed and usually the weather is decent up in California. It starts to get kind of cold on the road so we end up bringing some shoes along, but I much rather prefer slipping into these just because its the easiest thing to wear. And especially on a tour bus, at least in ours, we’re in our bunk and you can only keep like a change of clothes and not much else. So you can just throw on your sandals instead of going down and getting socks out of your bag.

Andrew: But it’s just like a standard cultural thing in California. It’s just the thing. When people see us they thing were in uniform or something like that. It’s really just like us wearing a pair of skate shoes to most kids.

Kamtin: Since you guys have gained so much success recently, are there any plans of re-releasing “Ready…Break”?

Andrew: I think, well, ok. Success or not, I know there are a lot of people want to hear it and so we’re trying to work something out right now where we can put it out as a fan club thing. I mean, there’s other stuff that goes along with it as far as legal shit. We have to figure out what we have to do with it before anything happens, but it’s not something that we’re working our asses off to make happen just because we’re so busy, but it’s definitely in the works. Not to stores so much, but to the kids. To me, I like the record and I love what it means to us, but I also think its best suited in the hands of people who know what it is, which are the beginnings of this band and not really where we’re going.

Kamtin: “Konstantine” has to be one of the most beautiful songs I have ever heard. It is so packed with emotion and feeling that it becomes a very touching song to listen to. It seems like you are singing out to a person you love or once loved. Is there a specific story behind the song?

Andrew: I dated this girl for like a year and a half or so, and then it ended, and then restarted. There’s a lot of trial involved in a relationship and it’s the typical thing. You think you care so much about someone in High School to keep going back together with them when really it’s not necessarily worth the trouble that goes along with it. So really it just kind of developed out of that and all the issues, problems that kind of came along with our relationship. It was a tough time. These guys know it when I wrote it, it just was what it was, but I’m glad something like that came out of it.

Kamtin: Have you guys been writing any new material?

Andrew: Yeah!

William: We have been talking about that all day.

Andrew: We’re going to try and be in the studio April, May, June of this year to put a record out by like October next year. You know, its still like a year or so from now, but you got to start the planning early.

William: The planning is taking place right now.

Andrew: So we’re definitely trying to make something happen. You know, there are obviously different factors that revolve themselves, but we want to be recording a record soon.

Kamtin: What are your plans after the NFG tour? Are you guys going to be doing a headlining tour anytime soon?

William: That’s what we’ve also been talking about all day. We’re trying to plan out the next year because in this business, you have to plan things so far ahead of time to get everything line-up, but probably a headlining tour, possibly co-headlining; sometime between winter and spring.

Andrew: We have some international plans to kind of fall somewhere in there so it’s just kind of like trying to figure out where. How we can fit a month long trip to Europe, 6 week headlining tour of the states, and recording a new album into the next 6 months. So we’re trying to make it all work. I think it will end up working. Hopefully just in time for us to be out again in the summer time.

Kamtin: If you guys do it, are their any bands you guys want to do it with?

William: There in such preliminary stages right now, we can’t even say.

Kamtin: How do you feel when you turn on the radio or TV and you hear “I Woke Up In A Car” or “If U C Jordan”?

William: Well, it hasn’t happened much often because we’ve been gone so much.

Kamtin: Here, to tell you the truth, it’s on about 3 or 4 times a day. So, since I heard it, I was like “Holy shit, this is fuckin’ awesome!”.

William: Haha!

Andrew: Haha, that’s so awesome dude!

William: Every time we hear something like that, like when I first saw “I Woke Up In A Car” on MTV2, it was just really amazing. When we were recording this record, “If U C Jordan” was playing in our home town so that was really amazing. The first few times we heard it, we were getting out of the studio and getting into our cars to go home and it was just an incredible feeling.

Kamtin: Thank you so much for sitting down with me and answering a few questions. I really do appreciate everything. Would you like to leave with a few words of wisdom?

Andrew: Yeah. Just to let them know we appreciate them coming out to shows and listening to the band. We have a good time doing what were doing, so hopefully people just keep listening. And thank you Kam for doing this.

William: Yeah, thanks man!

Kamtin: No, thank you. 

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Music, Reviews

Foo Fighters – One By One

The Foo Fighters return with their much anticipated follow up to their successful LP There Is Nothing Left to Lose. With the promise of a much more rock oriented, hard driving effort, One By One comes across as a mixed bag. The single “All My Life” has permeated radio waves as a fast paced, noisy yet melodic anthem that satisfies the anticipation for a louder, harder release. But as the second track “Low” kicks in, adorned with fuzzy guitars, pounding drums and a low key Dave Grohl, you begin to see the direction in which this album takes. It’s more akin to “My Hero” off Colour and the Shape with a slight “Watershed” sound from their debut LP. It’s loud but lacks the tempo that the opening track displayed. It is a precursor to the rest of the album – while it certainly has the Foo flair, a distinct quality is missing. The third track “Have It All” is packed with typical Fighters feel; moderately paced, mix vocal volumes accented by Grohl’s lyrical touch – “She drains me / when I’m empty … in too deep / she’s spilling over me” and is surrounded by crunchy guitar work by both Grohl and Shiflett.

While the album as a whole exudes musical erudition, it lacks a certain raw passion that they displayed with Colour and the Shape. It isn’t as melodic or pop rock induced as There Is Nothing Left to Lose but it definitely lacks some sort of individuality from the rest of the Foo catalogue. It feels like a mélange of sounds from their three previous LPs – with no real strong personal distinction to set it apart. It’s up tempo, loud, quiet, desperate and plodding all at the same time. Loud enough to rock with “All My Life” while feeling desperate to sound radio friendly with southern rock in “Halo”, One By One isn’t a stellar album but is by no means something that is easily left behind. The track, “Tired of You” seems unnecessary; with over 5 minutes of distorted guitar work accompanying Grohl in an endless backdrop that is reminiscent of Bush’s “Glycerine”. Foo enthusiasts will most probably enjoy the release but will be disappointed by its lack of personality. It certainly is far from the magnificent aura of Colour and the Shape.

In a brief lapse into anticipated promise, “Times Like These” comes across as a beautiful blend of pure heartfelt emotion and melodic rock sensibilities. It is the most complete track off the album and is perhaps the direction and feel that the rest of the album wishes it could achieve. It comes off sounding a little like “Everlong” and like Grohl so passionately sings, “Its times like these you learn to love again”. And with this track, even the most ardent doubters will soon learn to love the Foos again.

(RCA Records)

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