Album Reviews, Music

Review: The Ataris – All Souls Day / The Graveyard Of the Atlantic 7″

Kris Roe was never one to shy away from wistful songwriting. The man who seems to have the eternal blues continues to wear his heart proudly on his sleeve, and on The Ataris’ first taste of new material since their less than successful tread down indie rock way, takes it all back to where End Is Forever and So Long, Astoria promised all those years ago.

“All Souls Day” appeared on the 2009 Warped Tour compilation and it felt that a new full length was shortly on the way. But nearly two years removed, and we’ve only got a slightly reworked version of this track. It’s as caustic as Roe has ever been (spitting out lines like “Erase our lives take back those vows / I guess it’s not that easy now / I’ll tear that fucking chapel to the ground”), but musically it sounds a little like “Not Capable of Love”.

The b-side of this 7” is the real gem of the mix and is a great indicator of the new album’s potential. We first heard an acoustic rendition of the album’s title track not too long ago, and now, the full band version gives us the best Gin Blossoms song The Ataris ever wrote. Its mid tempo guitar riffs and bittersweet couplets are the perfect accompaniment for what seems like the single longest road trip in pop punk/rock history.

Roe is still searching for that perfect moment, but “The Graveyard of the Atlantic” is the closest he’s ever been. (Paper + Plastick)

[rating=3]

AUDIO STREAM: The Ataris – “The Graveyard of the Atlantic”
The Ataris – “The Graveyard of the Atlantic”

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Featured, Interviews, Music

From the Heartland: An interview with the Blacklist Royals

Nashville, Tennessee: the heartbeat of American rock n’ roll and one of music history’s bastion cities. Steeped in tradition and iconic figures, its landscape is the home of some of the most memorable moments in music history. From the prominence of homegrown country music to rockabilly and traditional rock, the denizens and artists who ply their craft within its borders continue to be some of the most passionate in the nation.

The Blacklist Royals are a fine product of this Nashville brewery; distilled in rock n’ roll’s rich history and sharpened by punk rock’s sneer, they are both the present and future of this past. We recently spoke to drummer and founder Rob about their recent touring, their terrific album Semper Liberi and what their city’s (and genre’s) history means to them as they continue down the rock n’ roll highway.

How was the tour, crowd reception good?

Rob: The tour was great! It was our first tour in Canada, and it went really well. We were out with Orphan Choir, who are an amazing band and dudes, so it was a blast. Toronto, Montreal, and KOI Festival had great crowds and we met a lot of really cool people.

What were some of the best memories of the recent run?

Rob: The memory that will stick with me the most is from our day off in Toronto, a crazy drunk girl at The Bovine Sex Club beat the shit out of this girl who worked our show the night before, then attacked Nat and Alex as well! Part of me wanted to stop her, and part of me couldn’t help but want to watch some random maniac drunk bitch try to fight everyone in the bar for no reason. I think what started the whole thing is that Alex told her she was pretty, haha! She chased us all the way back to the van! Canadian girls are intense.

Did you guys all get along?

Rob: We get along great most of the time, regardless of our different personalities and the obvious tensions of being on the road constantly. Alex can definitely get a little wild sometimes, and since Nat and I are twins and have lived/played music together our whole lives we can get into it the way brothers do. But we all love each other and love being out on the road experiencing life and getting into all kinds of fucked up misadventures together, so it works out well.  Right when I think we don’t get a long I watch other bands we tour with interact and realize we are a lot closer than most.

Semper Liberi is one of our favorite records of 2010. In our review, we said, “It’s all about the feeling, the essence, and the movement of what made the likes of Johnny Cash, Elvis, Chuck Berry and their kind so memorable.” Your city of Nashville is steeped in such a rich rock n’ roll culture, how much does rock n’ roll history influence your songwriting if any?

Rob: We are definitely students of rock and roll history, and it is a bigger influence on us than anything else. Nat and I grew up on 50’s and 60’s music, and moved to Nashville years ago in hopes of connecting with the things that made early rock and roll so great and real. So I definitely agree it is all about feeling. Semper Liberi was honestly kind of a concept album to us, an attempt to make a punk rock oldies album, but still keep it relevant. Classic rock and roll has been and will always be our bands compass, no matter where we go from here.

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AUDIO STREAM: “Howling at the Moon”
Blacklist Royals – Howling at the Moon (from the album Semper Liberi)
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What are some of the important topics you consider as influential when it comes to writing the songs?

Rob: We write a lot about what we know, like life on the road and of course love songs. But we also had some songs about social issues on Semper Liberi such as “Jolie Blonde” (a re-working of the unofficial Cajun national anthem about hurricane Katrina), “Church Bells are Ringing”(about a mining disaster in my home state of West Virginia) and “American Hearts”. For the next record we have been writing much more personal songs, which are a little different from the straight forward rock and roll lyrics on Semper Liberi but still completely Blacklist Royals.

What is the natural progression for all of you now after Semper Liberi?

Rob: Well like I said, we are trying to get more real with our songwriting, more personal. We tried to make the songs on Semper Liberi more general so they were more accessible, but now we want to really take it to street level and sing about topics that we weren’t ready to cover with that record. But at the same time we want the songs to be even MORE hook oriented, and I am really excited about what we’ve been coming up with so far. Jamie, Alex, and Eric bring a lot of different influences and ideas to the table, so I expect our next record to be a real step up.

Paper + Plastick are a relatively new label- although Vinnie is no stranger to this- was it a natural choice for you to sign with them?

Rob: Definitely. Matt Drastic (who produced out record) is Less Than Jake’s tour manager, and turned Vinnie on to the band. Those two dudes have believed in us more than anyone ever has, so I couldn’t imagine being in better hands. They’ve really done a lot for us and P+P is becoming a really awesome label as other labels seem to be dying around them, so I am stoked to see what the future holds.

You guys are playing The Fest next- do you prefer these massive festival settings or do the open roads and endless rock n’ roll halls appeal more to your sensibilities?

Rob: It depends what time slot we get at the festivals, haha! They can be really amazing because we get to play to audiences that maybe haven’t seen us, or that generally wouldn’t go out to a show we play at a random shitty bar on a weeknight in their towns. So festivals are great, The Fest especially! It is always my favorite weekend of the year, and I have no doubt anyone who makes the trip down to FL will see us running around all night acting like idiots.

What are your plans after The Fest?

Rob: It is kind of up in the air right now. We are trying to work out a tour in November, and probably take December off. At the start of the new year there are a lot of cool things in the works including Europe, Canada again, and a Paper + Plastick tour with some of our awesome label mates. Basically we are just going to continue touring our asses off until people have no choice but to notice us.
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Semper Liberi is out now via Paper + Plastick

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Album Reviews, Music

Review: Blacklist Royals – Semper Liberi

Like the sweltering heat of underground rock clubs and the freedom of the open road, the Blacklist Royals are the personification good time American rock n’ roll. Tinged with a streak of country, their latest effort is a nonsense-free ride through the states of Memphis and Nashville filtered through the sneer of California punk rock. From the swingin’ sound of “Rock And Roll” and the Americana-flavored “Howling at the Moon” to the Social Distortion-lite of “White Line Fever,” there is plenty to enjoy on Semper Liberi.

The keys-infused “California” is perfect for any good road trip while the acoustic driven clap-a-long vibe of “Drive On” is a fair indication of the good spirited nature of the band. It’s all about the feeling, the essence, and the movement of what made the likes of Johnny Cash, Elvis, Chuck Berry and their kind so memorable. “Love in the Backseat” is as fine as 21st century rock n’ roll will get and as it sings in its refrain, “Turn up the radio / Lock the doors and we’ll kill the lights / You know everything will be alright”, it’s all about sweat, six strings and a good time. (Paper + Plastick)

[xrr rating=3.5/5]

AUDIO STREAM:
Blacklist Royals – Howling at the Moon (from the album Semper Liberi)

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Music, Videos

Video: Blacklist Royals – American Hearts

For the past few months I’ve been listening to the Blacklist Royals’ latest album Semper Liberi. It’s one part rock n’ roll, one part American blues and lots of pieces of heart, and it’s quickly become one of my favorite releases of 2010.

I’ve been trying to light a fire under myself to write a review of it as it deserves all the recognition it can (I’m shooting for sometime tomorrow), but I’ve been seriously lagging in that department. Alongside the Gaslight Anthem’s American Slang, the Blacklist Royals are a clear indicator that bluesy American rock n’ roll is very much alive and well.

The band are another Paper + Plastick outift, and awhile back, they released a video for the track “American Hearts.” It’s old news now but when old news is good news, it’s better than no news. You can check out the band on the road all through Canada this month before returning to the United States in October.

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Music

The Gamits return!

Colorado pop-punkers, and the self-proclaimed “Brett Farve of punk rock”, The Gamits have returned and are now streaming their brand new album over at Punknews.org.

Disbanding in 2004 after their Antidote album, the group reformed late 2009 and began work on a follow-up. Now six years after, the band release their new album, Parts, on the Paper + Plastick label in conjunction with longtime friends Suburban Home.

Terrific news of course for connoisseurs of good pop punk. You can stream the full album right here while Paper + Plastick have the track “Falling Apart” available on their website.

On a side note, few labels today have a better roster than Paper + Plastick. Kudos to Vinnie for sticking to music he loves instead of sticking with Fueled by Ramen.

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